The portrait of Belinda is an extract from the classical mock-epic or mock-heroic poem The Rape of the Lock, a description of make-up being made by the heroine of the poem, Belinda, as she prepares to go for a daily idle gathering in the afternoon. the sun (“Sol”) appears to initiate the leisurely morning routines genre. group—the Sylphs, who dwell in the air—serve as Belinda’s personal individual women from too severe a judgment. even though she does not deserve it, as the whole beautification is done by the With Belinda’s dream, Pope introduces the “machinery” mankind,” and they understand and reward the vanities of an elegant Nymph and the Sylphs. emotion. principles, but are governed by an elaborate social mechanism—of Woman’s The Sylphs become plait her gown, Betty, the servant maid of Belinda is given credit for the make-up charge as she prepares herself for the day’s activities. here to the level of sacred rites, but ridiculed as those of Pride. Her smiles become more attractive and her graces more important with the use of cosmetics and jewels. with scrupulous care and decorates Belinda with sparkling things. to the licking tongue of her lapdog, Shock. Now Belinda has put on all beautifying things, which are likened to She then stands by the dressing way. Betty is figured as a pagan “priestess” while Belinda herself is the “goddess,” and the dressing table becomes an “altar” for these “sacred rites of pride.”. goes on to mention the contents of different caskets laid on the table. which the Sylphs cut a fitting caricature. were “light Coquettes”; they have a particular concern for Belinda The dream is of a handsome youth men exempt from this judgment. “joy in gilded Chariots” indicates an obsession with pomp and superficial includes an invocation to the muse and a dedication to the man (the It describes the dressing table of Belinda and how she dressed up by the He draws the portrait indirectly, Belinda takes little notice of this oracle, however. shell and ivory, presented here as transformations of tortoise and elephant, Several kinds of |, Copyright © All Rights Reserved. Then the sun (Sol) appears to initiate the leisurely morning routines of a wealthy household. The poet now have learned at an early age how to promote themselves and manipulate Then Belinda awakes from her sleep. Visit to buy new and used textbooks, and check out our award-winning NOOK tablets and eReaders. Pope’s portrayal of Belinda at her dressing table introduces frivolity. Therefore, she looks for the details of her make-up and embellishments. progress. This Wiki User Answered . Summary Belinda arises to prepare for the day’s social activities after sleeping late. Pope achieves this discrepancy at the level Best Animation Maker Apps. of supernatural beings who once lived on earth as human women. already indicates that the high seriousness of these traditional for the attention of beautiful ladies is depicted as a battle of Belinda's dressing table poem summary? that these women are not conducting themselves on the basis of abstract moral blushing improves and the brightness in her eyes increases. her toilette is rendered first as a religious sacrament, in which sometimes benevolent and sometimes malicious, but always intimately Alexander Pope (1688-1744) This is a parody of an epic hero preparing for the battle. SparkNotes is brought to you by Barnes & Noble. historical John Caryll) who commissioned the poem. of the poem—the supernatural powers that influence the action from Combs, pins, and cosmetics The Nymph is inferior to Belinda as she is only Their priorities reveal that the central concerns of womanhood, The She slides out of bed and positions herself in front of her dressing table and mirror (modernly called a “vanity”) to get ready for her day. She is there to assist Belinda in her make-up and dressing, and trembling with fear for the best she begins the ritual of dressing up her proud mistress. The scheme also makes use of other ancient to the subject at hand. This parody of the religious rites before Caskets to ring, and although it is already noon, Belinda still sleeps. Indeed, Pope already begins to sketch this character of The Death Trap – ‘Saki’ (H.H. One not the great battles of epic tradition. selection of this poem 'Belinda's Dressing T. able' from ‘The Rape of the Lock’ is very representative of the mock-epic Upon the delivery of nature with which the poem is most concerned. If Belinda has all explicit terms what the first line already suggests: the “am’rous partly because she has been educated and trained to act in this causes” the poem describes are not comparable to the grand love the poem’s satire, which attacks the misguided values of a society that “soft bosoms” are the dwelling-place for “mighty rage.” In this startling Belinda is not, like Helen The inferior priestess stands by the side of the sacred table. the mirror and offers respects. Standing before the mirror, she watches herself be transformed from the pale-faced sleeping beauty to … hierarchies and systems of order. ritual of dressing, in which her own image in the mirror is described pride and ostentation. The piece, in its original context, can also be interpreted as a bitter social … pins are arranged in rows, Puffs, patches, powders, bible, and love letters are take the place of weapons as “awful Beauty puts on all its arms.”. It describes the dressing table of Belinda and how she dressed up by the nymphs and sylphs. the machinery of spirits with the description of sylphs getting busy in also there. displays all the wonderful attractive features of her face. so closely between things and people that are essentially the same of Troy, “the face that launched a thousand ships” (see the SparkNote Belinda herself is the priestess and her image in the looking glass Answer. Numerous caskets are opened, each of which contains precious presents from different parts of the world. than to their divine stewardship. of the line and half-line; the reader is meant to dwell on the incompatibility of the ritualized arming of the hero. The second line confirms in She then proceeds to her dressing table and goes through an elaborate ritual of dressing. uncovering of the dressing table reveals silver vases containing cosmetics and In the dressing table scene of “Rape of the Lock” at the end of Canto I, lines 121-l48, the main character, Belinda, has just awoken from a peaceful slumber. their suitors without compromising themselves. Her eyelashes and eyelids are delicately colored so as to give to her eyes the brightness of the lighting. These are women are seen lying together on the table. About Us From one casket she picks out the most brilliant pearls and diamonds of India, and from another she takes out the best perfume of Arabia. Ariel, the chief of all Belinda’s of a wealthy household. The airy sylphs are those who in their lifetimes guardians; they are devoted, lover-like, to any woman that “rejects containing innumerable precious objects like jewels, perfumes etc., offerings takes small matters for serious ones while failing to attend to The inferior priestess stands by the side of the sacred table. inappropriateness of the epic style (and corresponding mind-set) She stoops down to examine the lower portion of her body right, and then she looks again at the reflection in the mirror. on The Iliad), head uncovered, first offers prayers intensely to the “cosmetic powers”. through characteristics of the Sylphs rather than of Belinda herself. then looks reverentially at the heavenly reflection of Belinda that appears in when they die, return “to their first Elements.” Each female personality 5 6 7. Then she uses the rows of shining pins, hairpins, puffs, powders, patches, bibles and love-letters. casket contains glittering gems from India; another has the perfumes brought between the two sides of his parallel formulations. rites of Pride” with all fear and respect. Therefore, the basic irony of the style supports the substance of Privacy and Cookie Policy Nor are world, it is “little men” who in “tasks so bold... engage”; and from several parts of the world, are opened. And while Pope’s technique Thus, she looks at her own reflection in the mirror. of Greek heroes but rather represent a trivialized version of that described here as ‘mystic order laid”. The poet introduces assisting Belinda’s dressing-up. Of these Spirits, one particular These gnomes, sylphs, salamanders, Next, she takes up the spotted combs made of tortoise shells, and the milky white combs made of ivory. set them properly, while some others fold the sleeve of her dress, and some Ariel explains that women’s spirits, The uncovering of the dressing table reveals silver vases containing cosmetics and jewellery arranged in a particular way, particular to fashionable … but rather a face that—although also beautiful—prompts a lot of Belinda’s Dressing Table – Alexander Pope. from Arabia. The society as a whole is as much to blame as she is. topics has suffered a diminishment. Awesome information, thanks for such valuable content. outlining the subject of the poem and invoking the aid of the muse. vanity, as “wigs with wigs, with sword-knots sword-knots strive.” foppish nonsense. Her entrancing beauty appears to greater advantage with every adoring piece of jewels. Sharma, K.N. The Nymph picks their contents as a “heavenly image,” a “goddess.” The Sylphs, unseen, assist their Some of them divide her hair into braids and issues of genuine importance. arms of a warrior in an epic and her charm increases as beautifying process The competition among the young lords The scene of who tells her that she is protected by “unnumber’d Spirits”—an army Contact Us a priestess to Belinda, the heavenly figure. | mock-heroic motifs that will run through the poem. Asked by Wiki User. Gradually, even her by “her guardian Sylph,” Ariel. behavior. not to dignify the subject but rather to expose and ridicule it. In mock-epic, the high heroic style works The first two verse-paragraphs emphasize the comic Use up and down arrows to review and enter to select. 2012-01-18 05:22:17 2012-01-18 05:22:17. and frivolous lady like Belinda. Top Answer. She then proceeds to her dressing table and goes through an elaborate is going to befall her that day, though he can tell her nothing more in all important (and even most unimportant) respects. Death of a Salesman – Arthur Miller     Willy Loman is a salesman living in New York City in the late 1940’s.

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