An immigrant who rivaled Thomas Eddison (Kyle MacLachlan) and partnered with George Westinghouse (Jim Gaffigan), JP Morgan (Donnie Keshawarz), and Sarah Bernhardt (Rebecca Dayan), Almereyda’s Tesla (Ethan Hawke) is a stoic genius with determination in his eyes and sadness at the corners of his mouth. There are good movies are on Netflix buried under Office reruns, from classic horror movies to great kids movies, and a few Netflix originals you’ll only find there. Ben 10 Versus the Universe The Movie 2020. Few directors are as attentive to the rhythms of nature – human and otherwise – as Kelly Reichardt, and the filmmaker’s formidable skill at evoking a sense of place, thought, emotion and motivation is on breathtaking display in First Cow. Shot with bobbing, swaying gracefulness that’s in tune with its environment, it’s an evocative, empathetic and altogether unforgettable portrait of life on the fringe, where escape from reality is a constant—if self-destructive—desire, and solace is only found at the bottom of a glass, in the company of fellow drunks. Florian Zeller’s The Father conveys the terror, fury and anguish of dementia from the inside-out, assuming the unreliable and fragmented perspective of its protagonist, Anthony (Anthony Hopkins), until the boundaries between reality and delusion are as bewildering to us as to him. This culture-clash chamber piece finds wit as well as heartache in four migrants’ exile to the dampest corner of Europe – Scotland. One of five features included in 12 Years a Slave director Steve McQueen’s “Small Axe” compilation, Mangrove dramatizes the real-life story of the Mangrove Nine, a group of Black British West Indians from Notting Hill who were charged with inciting a riot after they marched in protest against police harassment and brutality – all of it centered around Frank Crichlow’s (Shaun Parkes) The Mangrove restaurant. Few films are this tough to sit through—or difficult to forget. Hunted by police captain Liu (Liao Fan), Diao’s protagonists are engaged in a deadly game that’s played in silence because they all inherently know the rules, and their sense of purpose is echoed by the film itself, which orchestrates its underworld conflicts with bracing precision. A cry for help and a call to arms, it’s nothing short of straight-up horrifying. We said: “Nanau refuses to regard the uncovering of wrongdoing as an achievement in itself; he constructs his film from interwoven strands which offer a broader perspective on the administrative toil involved in effecting lasting change, and the crucial contributions of both individual moral choices and wider democratic movements in enabling such a process.” (Trevor Johnston, S&S, December), Read our review: Collective takes a scalpel to the contagion of corruption, + interview: “Incompetence was killing the victims”: Alexander Nanau on his health-service exposé Collective, Where to see it: On various digital platforms. This was, in many respects, a year to forget—but not so when it came to film. This scene, extending across a good half-hour, functions as the film’s centrepiece and offers the most tender rendition of sex to be found in Tsai’s filmography. That Buñuelian device speaks to the masculine and feminine sides of both characters, whose ups and downs together and apart form the basis of Boaz Yakin’s (Remember the Titans) unconventional semi-autobiographical tale. Nonetheless, the alternately combative and chummy English pair remain in fine, funny form, and their swan song proves to be their most substantive collaboration since their maiden outing. Everything is up in the air, and also in some odd way feels irrelevant. Elisabeth Moss is tormented by an unseen assailant in a smart, timely update of the horror mainstay. Though the results aren’t as dynamic as their prior collaboration, Coppola’s fizzy romantic drama nonetheless finds its headliner in outstanding form as Felix, the suave ladies-man father to Laura (Rashida Jones), with whom he embarks on an investigation into the possible two-timing proclivities of her husband Dean (Marlon Wayans). Never florid, rarely contrived, sometimes painful, always true, Hittman’s film is far more than the abortion story it so single-mindedly follows. The main surprise in a typically episodic and lo-fi narrative – if it can be called that – is the more or less exclusive focus on women, where previously tensions between the sexes have been the director’s abiding preoccupation. Our co-chief film critics picked their top 10 movies of this past year. Mark your calendars for BET & BET Her new and original movies celebrating timeless Black holiday traditions that fill homes with happiness. The film’s formal grandeur – its compositional precision, and painterly interplay of light and dark – is overwhelming, as is the majestic presence of Vitalina herself. Movies 2020. Before the pandemic shut theaters down, horror was off to a decent start, on pace to keep up with the long strides the genre had made in the 2010s. An opening scene in which Yoko fails to catch a mythical big fish in Aydar Lake – and then has her femininity blamed for this letdown – serves as a gentle metaphor for her ensuing search for purpose, freedom and confidence to face a strange world that seems intent on menacing her, be it police officers whose questions and demands she doesn’t understand, or an amusement park ride that spins her into near oblivion. We said: Leonie Cooper talked to Byrne for our December issue, and asked him why he went to Spike Lee for the project: “We’ve never really worked together, but we’ve crossed paths a lot so it was easy, I had his phone number! The storyline is textbook 1950s B movie, but the film’s innovative sound design and tracking shots, along with the director’s dynamite blend of anxiety and awe, take it far beyond pastiche.” (Isabel Stevens). Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. Da 5 Bloods is quite some undertaking. It’s Young, however, who holds the hothouse material together as the self-actualizing Rose, whose journey mirrors that of the missing girl Jackson is writing about, and who serves as the beating heart of this slyly furious film. Driven to first prove the viability of alternate-current electricity, and then to create a revolutionary wireless energy system that will connect humanity – bringing light, power and resources to the dark corners of the globe – Tesla is an alienated soul embodied with mysterious, self-destructive passion by a superb Hawke. Putting a poignant face on a contentious social topic, Never Rarely Sometimes Always tells the story of pregnant Pennsylvania 17-year-old Autumn (Sidney Flanigan), who with her loyal cousin Skylar (Talia Ryder) by her side, travels to New York to procure an abortion. At the center of his tale is Maxim Lapunov, whose release from a Chechnyan torture chamber—and resultant knowledge of the government’s monstrous activities—turns him into the state’s Enemy Number One. We said: “This fictionalised portrait of the American author Shirley Jackson commences with young bride Rose Nemser (Odessa Young) reading Jackson’s short story ‘The Lottery’ while on a train journey with her husband Fred (Logan Lerman). Josephine Decker’s adaptation of Susan Scarf Merrell’s teasingly fantasy-refracted portrait of the supernatural horror writer Shirley Jackson, played here by Elisabeth Moss. Menu. Nonetheless, Lee’s action-movie investigation of internal, domestic and global racial dynamics—and defiance—thrums with timely anguish and fury, and is bolstered by an Oscar-worthy turn from Lindo as a MAGA-supporting man drowning in chaotic rage. Where to see it: On BFI Player, Curzon Home Cinema and other digital platforms. That Garbus doesn’t let Mari off the hook for her own mistakes, while nonetheless casting a reproachful gaze at the individual and systemic failings that allow such crimes to occur – and go unsolved – only strengthens her cinematic case for compassion and togetherness as the bulwark against tragedy. Netflix is cranking up the heat indoors! Perkins sticks relatively closely to his source material’s narrative while nonetheless reshaping it into a story about feminine might and autonomy, and the potential cost of acquiring both. (Nobel Prize-winning physicist Kip Thorne, Nolan’s consultant on Interstellar, shows up again here in the credits.) Lee’s bravura, breakneck war drama, about a group of Black Vietnam veterans returning to the country decades after the war to recover the body of a fallen comrade, follows the blood line of America’s racial wrongs, from the civil rights era to Black Lives Matter. Faced with limited professional options, Ricky (Kris Hitchen) gets a job as a delivery driver for a company that doesn’t technically hire him; rather, he’s “self-employed,” meaning the onus for everything falls on his shoulders. Ben 10 Versus the Universe The Movie 2020 2020. TV Shows. A London teenager (Bukky Bakray) grows up fast and is burdened with adult responsibilities when her mother leaves the family home. The writer/director employs narration, shifts in perspective, flashbacks, and wild dramatic scenes—both male and female Edens and Avivas sometimes share the screen, partying, arguing or having passionate sex—to provide an intimate sense of the desires and fears propelling these conjoined figures forward. 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